E&J Frankel - oriental and asian art - bronzes, pottery, sculpture, textiles from China, Japan, Tibet, Nepal, Mongolia...
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Hold Everything!

September 1996
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Author: Edith Frankel

We all, in one way or another, are collectors. The focus of each person's collecting may be anything from a type of object to a group of ideas. The objects may be rarities as well as oddities. Styles of collecting have changed as individual and group tastes have evolved.

As Europe emerged from the Dark Ages into the Renaissance, sixteenth and seventeenth century collecting emerged into organized princely and philosophic pastimes. In Italy, Antoine Giganti (1535-98), Secretary to Archbishop of Bologna, Cardinal Gabriele Paleotti from l580 until his death in 1597, and Monsignor Beccadelli were great collectors of antiquities. Giganti and Ulisse Aldovandi both had their own museums in Bologna, a great center for learning in the sixteenth and seventeenth centuries.

In Germany the collection of Archduke Ferdinand II was amassed at Schloss Ambras in l564-73. He collected arms and armor and was the first to designate the Kunstkammer or Art Room which had eighteen cupboards along the back walls and two free standing cases. . There was also the Brandenburg Kunstkammer in Berlin.

In England, Horace Walpole used the epithet "the father of Vertu in England" to describe Thomas Howard, Earl of Arundel (1585-1636). Sir Robert Cotton (1571-1631) collected Roman antiquities... read more

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A selection of objects from the exhibition...

HOLD EVERYTHING: TREASURE BOXES IN THE QIANLONG MANNER CATALOGUE
HUANGHUALI (GOLDEN ROSEWOOD) SEAL CHEST WITH BAITONG (WHITE BRASS) FITTINGS
This is an unusually large furniture size version of the seal chest belonging in the scholar's studio. The lid lifts to reveal a compartment, two doors concealing five drawers running the width of the seal chest and three half the width.
BAMBOO VENEER OVER HUALI WOOD BOX EMBELLISHED WITH FIGURAL AND GARDEN DESIGNS IN IVORY
The baitong hinges and corner pieces are original. This is a locked treasure box.
MINIATURE CARVED CINNABAR LACQUER TWO-PART WARDROBE TREASURE CABINET
The upper portion has two doors and the lower portion has two doors and a drawer. The hardware is original. The carving on the doors depicts boys in a garden setting.
SQUARE-COVERED CINNABAR LACQUER BOX WITH A TRAY AND FIVE FITTED BOXES WITHIN.
The design is of scholars in a garden on the lid and floral designs on the sides of the box. The sides of the interior cinnabar lacquer boxes are decorated with lac burgaute.
A PAIR OF BLACK LACQUER SEAL CHESTS (YINXIANG) WITH RED LACQUER INTERIORS.
The tops and sides of the chests are inlaid with hardstones, stained ivory and mother-of-pearl. The lacquer is of a tone characteristic of the early Qing dynasty, as is the quality of inlay and the rounded carvings. The decorative theme is of children playing. The brass hardware is all original. In order to open the doors, one must first lift the lid. It is quite unusual to find seal chests in pairs.

These chests are sometimes called "make-up chests" and are frequently depicted on tables alongside mirrors (sometimes the top compartment is fitted with a mirror) and scrolls and books, often with ladies. It is equally correct to term them seal chests. Scholars selected objects which suited their needs and conformed to their taste.
NEST OF FIVE CARVED CINNABAR LACQUER BOXES.
The four corner boxes are L-shaped and the central box is rectangular. The carved design of the cinnabar is peonies, the flower of wealth.

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